Within Celebrity UFO Files
What Did To the Stars Academy Actually Achieve?
To the Stars Academy brought UAP claims into mainstream media while raising questions about its scientific standards and business ambitions.
On this page
- Its founders and stated ambitions
- Media releases and institutional access
- Criticism of claims, finances and validation
Page outline Jump by section
Introduction
To the Stars Academy of Arts & Science did not prove that UFOs were alien spacecraft, deliver the revolutionary aerospace technology promoted at its launch or establish a conventional scientific research programme. Its clearest achievement was cultural and political: it helped move unidentified aerial phenomena, or UAP, from celebrity-driven fringe discussion into mainstream journalism, military reporting and congressional debate.

Founded in 2017 around Blink-182 musician Tom DeLonge and a group of former defence and intelligence officials, the organisation combined entertainment, public advocacy, speculative science and commercial fundraising. That unusual mixture gave it exceptional publicity power but also created lasting credibility problems. Its release and promotion of US Navy cockpit videos helped change how the subject was discussed. Yet its more ambitious claims remained weakly validated, its finances depended on investors and media products, and later laboratory analysis did not support extraordinary interpretations of its best-known alleged anomalous material.[sec.gov]sec.govv473169 partiiandiiiSource details in endnotes.
Why the founders attracted attention
To the Stars Academy, usually shortened to TTSA, was announced in October 2017 as a public-benefit corporation spanning aerospace, science and entertainment. DeLonge supplied celebrity reach and an existing media brand. Co-founders Jim Semivan, a former senior CIA officer, and physicist Harold Puthoff provided intelligence and technical credentials. The wider launch team included Luis Elizondo, who said he had managed a Pentagon UAP investigation; former deputy assistant secretary of defence Christopher Mellon; and Steve Justice, previously an advanced-systems director at Lockheed Martin’s Skunk Works.[To The Stars*]tothestars.mediaTo The Stars*The New Yorker: How the Pentagon Started Taking U.F.O.s SeriouslyAfter Elizondo resigned, he and other key aatip participant…
That combination was central to TTSA’s public impact. Celebrity UFO advocacy was not new, but DeLonge was no longer appearing alone as a musician discussing secret information. He stood beside people with recognisable careers in defence, intelligence and aerospace. For journalists and viewers, their professional histories made the organisation appear closer to government knowledge than an ordinary paranormal society, even though past security clearances and job titles did not independently verify its claims.
TTSA’s stated ambitions were deliberately broad. It proposed collecting and analysing reports of unusual phenomena, studying exotic materials, developing advanced propulsion and energy technologies, educating policymakers, and financing these efforts partly through books, television, film, music and merchandise. Its initial securities offering acknowledged that it had not generated revenue from its proposed aerospace and scientific projects, that research might never yield a commercially viable product and that the company’s valuation had not been independently validated.[SEC]sec.govv473169 partiiandiiiSource details in endnotes.
This model was both imaginative and structurally risky. Entertainment could attract a large audience and subsidise research that traditional institutions might avoid. Conversely, dramatic claims could sell entertainment and investments before the underlying evidence had passed independent scientific review. TTSA therefore operated in an unresolved space between public-interest advocacy, speculative technology venture and celebrity media company.
How three Navy videos changed the conversation
TTSA’s most consequential intervention involved three infrared videos recorded by US Navy aircraft: footage commonly called FLIR1, Gimbal and Go Fast. The company presented the clips through its public platform in 2017 and 2018 while Elizondo, Mellon and Navy aviators argued that military personnel had encountered objects or sensor returns they could not readily identify.
The videos gained much of their influence through their connection with major newspaper reporting about a Pentagon programme that examined unusual aerospace incidents. TTSA did not create the original recordings or the pilots’ encounters. Its role was to assemble former officials, testimony, documents and imagery into a public campaign that made the material legible to mainstream media. The result was a powerful narrative: military sensors and trained aviators appeared to be encountering something that the defence establishment had not adequately explained.
There were initially important uncertainties about the videos’ release history and chain of custody. In early 2018, Wired noted that the clips’ military origin did not by itself establish that the versions in circulation were complete, unaltered or correctly connected to every reported observation. The available footage also lacked much of the radar, range, environmental and platform data needed to determine an object’s actual movement.[WIRED]wired.comWhat Is Up With Those Pentagon UFO Videos?What Is Up With Those Pentagon UFO Videos?
Those qualifications were often lost as the clips spread online. “Unidentified” was widely treated as though it meant extraordinary technology, although it formally indicated only that the phenomena had not been conclusively identified from the material available. Apparent speed or rotation in an infrared display can depend on range, camera movement, viewing geometry, sensor mode and background conditions. The short public clips could therefore raise legitimate questions without resolving them.
Even so, TTSA secured an institutional result that distinguished it from most celebrity UFO ventures. In 2019, the US Navy acknowledged that the circulating clips were genuine Navy recordings and described the objects shown as unidentified aerial phenomena. On 27 April 2020, the Department of Defense formally authorised the release of all three videos, saying it wanted to remove uncertainty about whether the footage was authentic. The department also stressed that the phenomena remained unidentified; it did not state that they showed alien craft or technology beyond human capabilities.[U.S. Department of War]war.govstatement by the department of defense on the release of historical navy videosDepartment of WarStatement by the Department of Defense on the Release of Historical Navy Videos > U.S. Department of War > Release | U.S…(https://www.war.gov/News/Releases/Release/Article/2165713/statement-by-the-department-of-defense-on-the-release-of-historical-navy-videos/)
The distinction matters. TTSA’s advocates were vindicated on a narrow but important point: the videos were not fabricated civilian footage falsely attributed to the Navy. They were not vindicated on the much larger question of what the recorded objects represented.
From publicity campaign to institutional access
TTSA’s impact extended beyond viral imagery. Mellon, Elizondo and their colleagues framed UAP encounters primarily as aviation-safety, intelligence and airspace-surveillance problems rather than as demands for official belief in extraterrestrial visitation. That language was more compatible with defence institutions and gave policymakers a reason to consider the reports without accepting any particular explanation.
In 2019, the Navy confirmed that it was updating and formalising procedures for personnel to report unidentified or unauthorised aircraft near military ranges and formations. Officials cited repeated incursions, flight safety and security concerns. TTSA figures publicly supported the change and had participated in discussions intended to persuade officials and legislators that stigma and inconsistent reporting were causing potentially useful information to be lost.[military.com]military.comU S Navy Drafting New Guidelines for Reporting UFOsU S Navy Drafting New Guidelines for Reporting UFOs
It would be too strong to say that TTSA alone caused the Navy’s reporting reforms. Military encounters, internal defence concerns, press investigations and congressional interest all contributed. Nevertheless, the organisation acted as an effective intermediary. It gave pilots and former officials a public platform, translated their concerns into media-ready stories and helped connect journalists, lawmakers and witnesses who might otherwise have remained in separate institutional circles.
This was perhaps TTSA’s most durable achievement. Before its campaign, UFO reporting was commonly presented as a contest between believers and debunkers. Afterwards, a parallel discussion became harder to dismiss: whether military sensor anomalies and incursions were being documented consistently, regardless of whether their eventual explanations involved balloons, drones, atmospheric effects, sensor artefacts, foreign surveillance systems or genuinely unresolved objects.
TTSA also obtained a five-year Cooperative Research and Development Agreement with the US Army’s Ground Vehicle Systems Center in 2019. The arrangement concerned possible materials and technologies associated with areas including material science, camouflage, communications and propulsion. A CRADA allows a federal laboratory to share facilities and expertise with an external partner; it is a research mechanism, not a procurement contract, government endorsement or certification that a partner’s claims are correct.[t2.army.mil]t2.army.milOpen source on army.mil.
Publicly, however, the Army association carried considerable symbolic value. It allowed TTSA to show that a military research body was willing to examine material it had acquired. For supporters, this suggested that official institutions were taking alleged UFO debris seriously. For critics, it illustrated how a routine exploratory agreement could be interpreted as confirmation far beyond what the document established.
Where the scientific case fell short
TTSA’s scientific ambitions were considerably less successful than its communications campaign. Its launch presentations referred to advanced aerospace concepts such as beamed-energy propulsion, manipulation of space-time and reductions in inertial mass. These ideas were presented alongside plans for practical research, but the company did not subsequently publish the kind of peer-reviewed experimental programme, replicable data or functioning prototypes that would substantiate such extraordinary technological claims.
The weakness was not simply that the proposed research was unconventional. High-risk research can be legitimate. The problem was that public-facing claims, fundraising language and institutional associations often advanced faster than independently reviewable evidence. A scientific organisation seeking to establish unusual physical effects would normally need clearly characterised samples, documented provenance, specified hypotheses, blinded or controlled testing where appropriate, reproducible measurements and publication detailed enough for outside laboratories to challenge the results.
TTSA’s Acquisition and Data Analysis of Materials project, known as A.D.A.M., became the main test of whether it could move from suggestive storytelling to validated discovery. The company obtained pieces of layered metal that had been associated with long-running claims of recovered anomalous material. Its own disclosures recognised that the items came with different levels of chain-of-custody documentation. That was a fundamental limitation: even an unusual composition would not establish where, when or under what circumstances an object had been recovered.
A later government-sponsored analysis provided a much clearer answer than TTSA had produced publicly. The All-domain Anomaly Resolution Office commissioned Oak Ridge National Laboratory to examine a layered specimen composed mainly of magnesium and zinc, with bismuth and trace elements. Claims attached to the material included a possible non-terrestrial origin and a structure capable of acting as a terahertz waveguide connected with inertial-mass reduction.
The laboratory found that the specimen’s elemental and isotopic characteristics were consistent with terrestrial manufacture. It did not find the pure, single-crystal bismuth layer that the proposed waveguide mechanism would have required. The analysis concluded that the evidence did not support either a non-terrestrial origin or the claimed exotic function, although the material’s precise original purpose remained unknown.[Project Blue Book Archive]theprojectbluebookarchive.org12 ORNL Analysis Metallic SpecimenProject Blue Book ArchiveSynopsis: Analysis of a Metallic SpecimenSynopsis: Analysis of a Metallic Specimen Synopsis: Analysis of a Metal…
This result does not show that it was unreasonable to test the sample. Testing questionable material is precisely how a scientific claim should be assessed. It does show why access to a mysterious object, a military laboratory or a respected adviser cannot substitute for results. TTSA’s strongest scientific legacy may therefore be unintended: the specimen eventually received serious analysis, but that analysis weakened rather than confirmed the extraordinary interpretation surrounding it.
The business model complicated the message
TTSA sought substantial capital from ordinary investors through a Regulation A offering. Its 2017 circular proposed selling shares initially priced at $5, with a minimum investment of $200. The filing plainly warned that the company was new, its valuation was speculative, its costs might rise faster than revenue and its scientific projects might never produce commercial technology. It also acknowledged significant dependence on DeLonge’s reputation and public profile.[SEC]sec.govv473169 partiiandiiiSource details in endnotes.
The warnings were important because much of TTSA’s appeal rested on possibilities that were difficult for retail investors to evaluate. A supporter was being invited to invest not merely in a conventional entertainment catalogue, but in an organisation discussing advanced propulsion, anomalous materials and access to former officials. The emotional attraction of participating in a historic revelation could easily exceed the information available for assessing financial risk.
By June 2019, the company reported an accumulated deficit of about $47.6 million and said it expected continuing operating losses until revenues became sufficient to meet its obligations. Its planned expenditure included entertainment development, publishing, merchandise, a television documentary series and public communications alongside scientific work.[SEC]sec.govOur mission is to be a vehicle for change by inspiring a neSource details in endnotes.
The word “deficit” was sometimes inaccurately reported as though the company owed that entire amount as conventional debt. It largely reflected cumulative accounting losses, including substantial stock-based expenses. Corrections to early coverage clarified the distinction, but the underlying concern remained: TTSA had promoted extremely ambitious aerospace goals without a demonstrated revenue stream from aerospace or science and continued to rely on new financing.[Ars Technica]arstechnica.comArs Technica All the dumb things? UFO project has $37 million deficit [UpdatedArs Technica All the dumb things? UFO project has $37 million deficit [Updated
Its financial structure also made it difficult to separate education from promotion. A television programme could spread awareness of military testimony, generate revenue, strengthen the company’s brand and increase interest in its investment offering at the same time. None of those functions is inherently improper. Together, however, they required a degree of transparency and evidential discipline that TTSA did not always achieve.
The later direction of the business underlined this tension. Public filings and the company’s present description place increasing emphasis on entertainment, publishing, branded merchandise and “science-informed” storytelling. The organisation now describes itself simply as To the Stars and openly presents its work as operating where science and science fiction meet. That is a more realistic description of its output, but it is narrower than the aerospace-development vision that helped attract attention and investment in 2017.[To The Stars*]tothestars.mediaOpen source on tothestars.media.
What To the Stars Academy actually achieved
TTSA’s record is best understood by separating three different kinds of achievement.
It achieved exceptional agenda-setting. DeLonge’s fame provided an audience, while former government officials supplied institutional fluency and access. Together they helped make UAP reporting acceptable material for major newspapers, television networks, defence correspondents and legislators.
It helped authenticate important source material, but not its extraordinary interpretation. The Pentagon ultimately confirmed and officially released the three Navy videos promoted by TTSA. That settled doubts about whether they were genuine military recordings. It did not settle what the objects were, demonstrate impossible performance or establish extraterrestrial involvement.[U.S. Department of War]war.govstatement by the department of defense on the release of historical navy videosDepartment of WarStatement by the Department of Defense on the Release of Historical Navy Videos > U.S. Department of War > Release | U.S…(https://www.war.gov/News/Releases/Release/Article/2165713/statement-by-the-department-of-defense-on-the-release-of-historical-navy-videos/)
It contributed to procedural change more effectively than scientific discovery. Its public campaign supported efforts to reduce stigma, improve reporting and treat unidentified incursions as potential safety or intelligence matters. By contrast, it did not publicly deliver revolutionary propulsion, independently validated exotic technology or persuasive evidence that its materials came from a non-human source.
TTSA therefore occupies an unusual place in the history of UFOs and celebrities. It showed that a celebrity could do more than recount a sighting or host a speculative programme. DeLonge used fame as organisational capital, bringing together media attention, former officials, public investment and institutional contacts. That changed the political visibility of the subject.
The same case also demonstrates the limits of celebrity-led disclosure. Visibility can force institutions to answer questions, but it can magnify ambiguous evidence as readily as strong evidence. Official access can justify investigation without validating a theory. A genuine military video can remain inconclusive. A laboratory partnership can end in an ordinary terrestrial finding. And an organisation may transform public debate even while falling far short of its grandest promises.
Measured by proof of alien technology, To the Stars Academy achieved little. Measured by its ability to alter who could discuss UAPs, where the discussion occurred and how government bodies were pressed to respond, its impact was substantial.
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Endnotes
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Source: tothestars.media
Link:https://tothestars.media/blogs/press-and-news/to-the-stars-crowdfunding-campaign-celebrates-successful-launch
Source snippet
Founded in 2017 by platinum-selling musician Tom DeLonge from Blink-182/Angels & Airwaves, former senior CIA officer Jim Semivan, and phy...
62.
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Link:https://www.theprojectbluebookarchive.org/archive/modern/sod/493468580/12_ORNL_Analysis_Metallic_Specimen.pdf
63.
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Title: Ars Technica All the dumb things? UFO project has $37 million deficit [Updated]
Link:https://arstechnica.com/science/2018/10/all-the-dumb-things-blink-182-front-mans-ufo-project-37-million/
64.
Source: tothestars.media
Link:https://tothestars.media/en-mx/pages/research
65.
Source: wikidisc.org
Title: To The Stars Academy of Arts & Science (TTSA) | Wiki Disc
Link:https://www.wikidisc.org/wiki/To_The_Stars_Academy_of_Arts_%26Science%28TTSA%29
66.
Source: uapdisclosurereads.com
Title: To The Stars Academy (TTSA) | UAP Disclosure Reads
Link:https://uapdisclosurereads.com/organizations/ttsa/
67.
Source: exonews.org
Title: To the Stars Academy | Exo News
Link:https://exonews.org/tag/to-the-stars-academy/
68.
Source: prnewswire.com
Link:https://www.prnewswire.com/news-releases/to-the-stars-academy-of-arts–science-acknowledges-the-pentagons-official-release-of-unidentified-aerial-phenomena-video-footage-301048862.html
69.
Source: Wikipedia
Title: To the Stars Inc
Link:https://en.wikipedia.org/wiki/To_the_Stars_Inc
70.
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Link:https://tothestars.media/en-mx/blogs/press-and-news/to-the-stars-academy-history-channel-bring-you-6-part-docuseries-in-may
71.
Source: tothestars.media
Title: To The Stars Academy + History Channel Bring You 6-Part Docuseries
Link:https://tothestars.media/en-gb/blogs/press-and-news/to-the-stars-academy-history-channel-bring-you-6-part-docuseries-in-may
72.
Source: tothestars.media
Title: To The Stars Academy + History Channel Bring You 6-Part Docuseries
Link:https://tothestars.media/blogs/press-and-news/to-the-stars-academy-history-channel-bring-you-6-part-docuseries-in-may
73.
Source: us.mensa.org
Title: to the stars academy unafraid to investigate the unexplained
Link:https://www.us.mensa.org/read/bulletin/features/to-the-stars-academy-unafraid-to-investigate-the-unexplained/
74.
Source: arstechnica.com
Title: There’s a new report on SLS rocket management, and it’s pretty brutal
Link:https://arstechnica.com/science/2018/10/theres-a-new-report-on-sls-rocket-management-and-its-pretty-brutal/
75.
Source: arstechnica.com
Title: NAS A isn’t going to pay for the BFR, so Musk charts a new course
Link:https://arstechnica.com/science/2018/09/nasa-isnt-going-to-pay-for-the-bfr-so-musk-charts-a-new-course/
76.
Source: GOV.UK
Title: academy trusts with a revenue surplus or deficit 2016 to 2017
Link:https://www.gov.uk/government/statistics/academy-trusts-with-a-revenue-surplus-or-deficit-2016-to-2017
77.
Source: tothestars.media
Title: To The Stars Inc’s Part in The Academy
Link:https://tothestars.media/blogs/press-and-news/to-the-stars-incs-part-in-the-academy
78.
Source: lifeboat.com
Title: To The Stars Academy of Arts & Science – Lifeboat News: The Blog
Link:https://lifeboat.com/blog/2017/10/to-the-stars-academy-of-arts-science
79.
Source: prnewswire.com
Title: To The Stars Academy Of Arts & Science Launches Today
Link:https://www.prnewswire.com/news-releases/to-the-stars-academy-of-arts–science-launches-today-300534912.html
80.
Source: ufotransparency.com
Title: To The Stars Academy Launch · UFO Transparency
Link:https://ufotransparency.com/lore/encounters/adj-ttsa-founding-2017
81.
Source: disclosdex.com
Title: To The Stars Academy | Disclosdex
Link:https://disclosdex.com/organizations/to-the-stars-academy
82.
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Link:https://tothestars.media/pages/research
83.
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Link:https://tothestars.media/blogs/press-and-news
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85.
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Title: sec filings 1
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86.
Source: youtube.com
Title: Luis Elizondo
Link:https://www.youtube.com/%40luiselizondoofficial
87.
Source: youtube.com
Title: Luis Elizondo
Link:https://www.youtube.com/%40LuisElizondoOfficial/videos
88.
Source: decur.org
Title: To The Stars Academy
Link:https://decur.org/programs/ttsa
89.
Source: neutrons.ornl.gov
Link:https://neutrons.ornl.gov/nns/2025/program
90.
Source: orau.org
Link:https://orau.org/arc-ornl/high-school/projects.html
Additional References
91.
Source: youtube.com
Title: Navy Confirms UFO Videos Posted by [Tom De Longe]({{ ‘tom-de-longe/’ | relative_url }}) Are Real | NBC Chicago
Link:https://www.youtube.com/watch?v=G4WBZrlxLfs
Source snippet
Christopher Mellon on military's UFO encounters...
92.
Source: youtube.com
Title: Tom Delonge: Skinwalkers & CIA Spooks | With Jim Semivan
Link:https://www.youtube.com/watch?v=OBSdg3nwxoo
Source snippet
Joe Rogan Admits Tom DeLonge Might've Been Right About UFOs...
93.
Source: ornl.gov
Title: Traveling science fair sparks interest in STEM and aviation for local schools
Link:https://www.ornl.gov/news/traveling-science-fair-sparks-interest-stem-and-aviation-local-schools
94.
Source: sapr.mil
Link:https://www.sapr.mil/Portals/156/APY18-19_MSA_Report.pdf
95.
Source: independent.co.uk
Link:https://www.independent.co.uk/news/education/education-news/academy-trusts-debt-deficit-school-funding-cuts-department-for-education-a8464676.html
96.
Source: the-independent.com
Link:https://www.the-independent.com/news/education/education-news/academy-trusts-debt-deficit-school-funding-cuts-department-for-education-a8464676.html
97.
Source: expressandstar.com
Link:https://www.expressandstar.com/news/education/2018/01/25/ace-academy-tipton-using-pupil-support-money-to-pay-staff-and-plug-deficit/
98.
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Link:https://www.yahoo.com/news/article/navy-ufos-reporting-guidelines-updated-202515828.html
99.
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Link:https://www.13newsnow.com/article/news/navy-developing-new-ufo-reporting-guidelines-amid-rise-of-unauthorized-aircraft-sightings/291-a45bfef0-81e3-424d-8de6-83da1c13efc5
100.
Source: axios.com
Link:https://www.axios.com/2019/04/27/navy-reports-increase-ufo-sightings



